Amanda Préval
Ce qui reste… (What Remains…)
— Montreal Monochrome XI — TRANSIENT
Performance by Amanda Préval .
Thursday, September 3, 2026, from 6:30 to 7 PM.
Montreal Monochrome is an annual conference series for Indigenous, Black, and artists and cultural workers of color, organized by articule's Fabulous Committee. This 11th edition, which will take place from September 2-6, 2026, will expand to welcome guests from across Canada to explore our theme: TRANSIENT. Details about this edition of Montreal Monochrome and the full program.
Following up on the performance Le jardin des phrases-semailles, "Garden of Sentences-Sowings", presented in Longueuil, Amanda Préval unravels the intertwining strands of a long braid in order to reconnect the participatory dimension to the initial action. Through the metaphor of the body-tree, they offer us “what remains when we forget everything” and when “there is nothing left.”
Artist
At the heart of their work, using traditional craft techniques, Amanda Préval (they/them) creates wearable sculptures and installations from synthetic hair extensions. Préval engages in participatory projects and durational performances to explore serial work and the choreographic qualities of braiding as vehicles for empowerment and community-building, fostering moments of socialization and communion within Afro-descendant culture. In the summer of 2026, they presented Hold this for me please, a performance in collaboration with artist Bélèn Pedrocca at the Centrale Galerie Powerhouse for the Tension relationnelle festival. They also presented a public intervention titled Le jardin des phrases-semailles during the second edition of Le printemps des Saisons errantes at Agrégat, alongside Camille Côté, curated by Arkadie Lavoie Lachapelle.
MMXI Schedule
Wednesday, September 2, 2026
Opening Reception & Performance
— Starting at 5:30 PM: presented by BLK D’OR featuring Jahsun, Engone Endong, and Cabral Jacobs
Thursday, September 3, 2026
Threading Frequencies: Longtable discussion
— At 1:30 PM: Featuring artist-run centre leaders: Abedar Kamgari (SAVAC), Sanaa Humayun (Hamilton Artists Inc.), and Alana Traficante (Gallery 44), co-facilitated by researchers Madeline Collins and Suzanne Morrissette (OCAD University).
Open Discussion
— At 3 PM: Open Discussion, continuing on with the themes from the long table discussion all participants are invited to contribute to an open discussion.
Performance
— At 6:30 PM. Amanda Préval — What Remains…
Performance
— At 7 PM: Dani Carter — SWIRL/SADDLE.
Friday, September 4, 2026
Keynote Address
— At 5:30 PM: Keynote Address featuring Daniela Andrade & Fern — p(B)ajubá e a proteção de pessoas trans e travestis. In French but live translation to English will be available.
Performance
— At 7 PM: Joliz Dela Peña — Trespassing the Timeline
Saturday, September 5, 2026
Collective pottery patchwork II
— At 1:30 PM: With atelier clé (facilitated by Laura Leong and Kadidia Traore).
Performance-Workshop
— At 6 PM: Sabina Gámez Ibarra — Desire Paths
Sunday, September 6, 2026
Terms and Conditions: a workshop and discussion
— At 1:30 PM: a workshop and discussion presented by Collective Collective and Parker Mah
Clay Re:Gathered
— At 1:30 PM: : Hand-on workshop with Babita Sharma
Three artists will present their installation works during Montréal Monochrome: Maya Amoah, Nathalie Batraville, and Anna J. McIntyre.
TRANSIENT
TRANSIENT refers to what circulates under pressure: diasporic bodies, minoritized languages, unstable archives, trans/queer and racialized practices that resist regimes of fixation, measurement, and categorization. Against colonial, institutional, and statistical logics that flatten difference into acronyms, metrics, or singular narratives, TRANSIENT foregrounds relational, embodied, and collective forms of knowledge. It creates a space where identity is understood as a process rather than a stable fact, where memory is activated through use and gesture, and where movement becomes a strategy for survival, care, and continual remaking.
TRANSIENT names a situated condition shaped by movement, constraint, and political timing. It is neither a temporary state nor mobility for its own sake, but a mode of existence formed in the in-between: between appearance and disappearance, inside and outside, visibility and erasure. Perhaps we all find ourselves there—in the liminal, fuzzy, and fluid—either momentarily or temporarily. What have we been doing in the interim.
Montreal Monochrome is an annual conference organized by articule's Fabulous Committee (anti-oppression). It addresses the misrepresentation and under-representation of Indigenous and racialized people in the current Montreal arts scene. The event aims to imagine and nurture new and existing connections, solidarities and friendships between Indigenous artists, thinkers, cultural workers and racialized allies. Artists, cultural workers, researchers, community organizers and others are invited to apply. The selected projects may take the form of workshops, round tables, debates, collective works, actions in the public space, interventions, performances, demonstrations, lightning gatherings, among others.
The Fabulous Committee is a space for Black, Indigenous and/or racialized articule members, as well as Black, Indigenous and/or racialized queer and/or trans members, to come together, to have a space to care for each other, to exchange ideas, to share their practice and to see art together. The activities of the Fabulous Committee change according to the needs and desires of the members.
This year’s edition of Montreal Monochrome is made possible, in part, by the Government of Canada, and by the support of the Canadian Race Relations Foundation.
The Canadian Race Relations Foundation is committed to building a national framework for the fight against racism in Canadian society. The CRRF will do this through knowledge-sharing and community support in the pursuit of equity, fairness, social justice and systemic change.