Each in their own way, the four artists who comprise the exhibition Future Memories present works that investigate time, particularly the temporal spaces that exist between past, present, memory, historicity, and possible futures. Employing different media, from video to textile, the artists Ambivalently Yours, Sophia Borowska, Zinnia Naqvi and Zeesy Powers each share moments that question modernity's notion of time as linear past-present-future categories directed towards progress. They refute a line of thinking ... {read more}

It is difficult to say whether Mathieu Cardin is more an artist of deception, or an agent of truth. Certainly, the two personas mingle in his architecturally ambitious installations. Characteristic of Cardin’s work is an invitation to secret spaces and viewpoints; we are given access to behind-the-scenes, underbellies, workrooms. We come upon them in surprise, feeling the interloper, or, perhaps, co-conspirator. When he grants us entry into what appears to be a set production room, or shows us the chassis supporting a model landscape ... {read more}

Bambitchell is the moniker for the collaborative practice of Toronto-based duo Sharlene Bamboat and Alexis Mitchell. Together, they are a powerhouse of wit, melancholy and critique, creating prints, video and installation work with an underlying longing for a place that does not exist: a utopic political landscape where equality and basic human decency are not optional. The artists have been collaborating since 2009, producing work that lampoons Canadian power structures in order to question the status quo. Queering notions of diaspora ... {read more}

The discovery, in an archive in Chile, of a photographer’s work that dates from the 1970s sets the original enigma that fascinates Anelys Wolf and inspires a series of paintings entitled Rural Glamour from a very Southern América. The photos are all portraits of men taken in the countryside. “There was something different about them,” says Wolf. Having worked with photographic archives, she grasps the importance of perspective and how the photographer's lens is much more than just a lens: it is an ... {read more}

The rules of the game are simple. There is a pile of wooden sticks in the centre of the table. Players take it in turns to gingerly remove one stick at a time. As long as the pile remains static, the player can attempt another; as soon as sticks begin to slip, the next player takes over. At times it seems as though our leaders are sadistically enjoying a similar game. Players from municipal, provincial, and federal governments sit around the table. Methodically, they take turns in making their move: remove funding here, reduce a budget ... {read more}